Do you need ScopeBox’s many video scopes? they don’t float.Ĭonsequently, to really benefit from ScopeBox, you should ideally have two monitors - which most professional video editors do. However, the scope windows don’t stay visible when obscured by another app like for example Final Cut Pro X, i.e. To make it easier to see the scopes you want to see, you can detach selected scopes as windows. When you have a lot of scopes active, the ScopeBox interface may take up almost the whole screen. Video scopes can be freely moved around in this area, but you can also have them snap to invisible grid lines for a cleaner, more organised look. The ScopeBox interface itself is a large window with a source bar running across the top, an optional clip listing at the bottom, a configuration inspector at right and the working window that holds the scopes. There’s also a menu option called Quartz Composer but that didn’t open or launch anything on my system, nor did the audio meters work for that matter. Loudness meters as those from NUGENaudio are very important these days, but they are not included. Scopes include the obligatory vectorscope and RGB parade, but there’s also an YCbCr parade, waveform, HML (High, Mid, Low) Balance scope, channel plot, RGB and luma histograms, and two audio meters - levels and surround levels. There is an impressive range of video scopes you can display and they all have customisable settings. Live sources require expensive equipment that I don’t have to test with, so I tried ScopeBox with both EditReady and Final Cut Pro X and it worked like a charm. Live sources are a third useful scenario. Another usage scenario would be that you evaluate clips managed by a DAM system like Pomfort Silverstack. That’s how most users will use ScopeBox: pulling in the source from a processing app such as EditReady, Final Cut Pro X or other NLE’s. No surprise then that most users will love ScopeLink. You’ll only be able to view the video scopes and graphs, but that’s it. To be honest, viewing a movie clip that sits on your disk doesn’t make much sense. The default clip that always sits in the source list at the top also has a snapshot button for taking stills - that button only appears when you’re feeding ScopeBox with a live feed. It also showed me a preview of the clip and the clip itself with controls for playing and fast forward/reverse. ScopeBox dutifully showed me the waveform and vectorscope it loads by default. I first tried ScopeBox with one of the video clips saved to my media disk. ![]() When you launch the app, ScopeBox is an empty black canvas, waiting for you to activate a source. In addition, ScopeBox provides scopes for live sources such as BlackMagic Design and Aja input equipment, and for movie clips stored on your disk(s). ![]() It does so via ScopeLink, a clever system that allows ScopeBox to integrate with a slew of supported applications, including SpeedGrade, various versions of After Effects, Prelude and Pomfort Silverstack. ScopeBox displays video scopes, regardless of whether your clip is processed with EditReady - before you transcode them - or Final Cut Pro X, Premiere Pro and other apps.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |